There are some images that become inseparable from the human psyche over time - photographs that capture the human story in a series of familiar clichés.
Whether you have dedicated your life to study history or you are an occasional user of the past, you probably associate ragged, striped uniforms with one of the most devastating tragedies in human history, and the file in your mind marked "civil disobedience" is probably labeled with horrific images of a monk on fire. But in these images, scratches are not white and blue. Fire burns in monochromatic plumes
And for this reason, we are able to draw a bold line between the past and the present & mdash .; us and them. While black and white images are powerful, they are also remote. They mean some elusive "other." In an effort to blur not only the line but to erase it completely, the artist Marina Amaral colorise most ubiquitous imagery of history.
"Looking at the black and white photographs created obstacles," Amaral told ViralNova. "This is especially true when we want to establish emotional ties with the past."
Marina Amaral
"When a photo is in color," she wrote, "it is more distant. it is something that could have happened yesterday."
Marina Amaral
Before that she starts the coloring process, the artist spends countless hours immobilizing the story behind each image. "I use color to help viewers see the past in the same way people did when the photo was taken," she said.
Marina Amaral
This is what feeling of closeness that Amaral aims to achieve in his work, and his success in this regard is undeniable.
Marina Amaral
His efforts grow important moments in history so close to us that we can reach out and touch.
Marina Amaral
mission Amaral is clearer in its most disturbing images. Photographs that have been allowed to slip in some people, the immutable hidden space are fundamentally changed and impossible to ignore.
Marina Amaral
"J ' hope people can appreciate my work, "she wrote." I do not seek to replace the original images. Instead, I want to provide a second point of view. "
Marina Amaral
When confronted with his work, we are suddenly unable to comfortably throw embossed past against the present.
Marina Amaral
the fact of the matter is that these images make us run across the full range of human emotions, with responses ranging from joy to despair discomfort in total.
Marina Amaral
Although Amaral hopes to always give the audience a more authentic sense of the past, the company is also deeply personal.
Marina Amaral
"My knowledge of human history develops with each colorization, "she wrote. "The process helps me develop a more empathetic vision of how things were. For me, there is nothing better than that."
Marina Amaral
for more work Marina Amaral, be sure to visit their website. For regular updates, follow on Twitter.

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